A) "It's sophisticated."
B) "Magic is of the mind, not the hand."
C) "Man's ______ should exceed his ______."
D) ". . . getting your hands dirty."
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Multiple Choice
A) timbre
B) volume
C) multichannel recording
D) synchronization
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True/False
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Multiple Choice
A) It gives the viewer a better sense of the spatial dimensions of the mise-en-scene.
B) It gives the viewer access to the larger political context of the story.
C) It confuses the viewer in order to then reveal the protagonist's state of mind.
D) It provides the viewer with an intimate understanding of the protagonist's sexuality.
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Multiple Choice
A) ending a scene with a line that prepares for the next scene.
B) offering music cues to indicate that certain lines of dialogue are very important for the plot.
C) using only one line of dialogue in an entire scene to give it added depth.
D) overlapping lines of dialogue by two different characters to emphasize conflict.
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Multiple Choice
A) the amplified breathing of soldiers in A Thin Red Line
B) the use of a train whistle to replace a scream in The Thirty-Nine Steps
C) the use of sound effects to produce on-screen synchronous sound for a barking dog
D) the high volume of sound as the samurai horses gallop towards the village in Seven Samurai
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Multiple Choice
A) major characters whose voices are heard but who never appear on-screen.
B) scenes so dimly lit that sound becomes the main source of narrative information.
C) uses of sound that creates ambiguities.
D) the use of multichannel recording to create a dynamic sense of moving through space.
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Multiple Choice
A) are presented in reverse order.
B) are presented chronologically.
C) are presented through flashback.
D) are presented as the internal diegetic fantasies of the competing magicians.
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A) digitally recorded sound.
B) sonic flashbacks.
C) voiceover commentary.
D) sound from an unseen source.
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A) the sound that comes from within the diegetic space of the story.
B) the dialogue actually spoken by the actors during shooting.
C) sound that seems appropriate to its source in the film.
D) lip synchronization that has been done correctly.
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True/False
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Multiple Choice
A) sound cues such as pounding metal or soft piano keys.
B) orchestral soundtrack "themes" specific to each character.
C) accents that suggest different backgrounds.
D) different volume levels for each of their voices.
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Multiple Choice
A) speech, music, and noise.
B) pitch, image, and loudness.
C) image, text, and dialogue.
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True/False
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Multiple Choice
A) loudness
B) pitch
C) timbre
D) texture
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Multiple Choice
A) a lightweight frame for quickly moving a microphone above the action while filming on location.
B) overlapping the sound of one scene into the next.
C) boosting the volume of the music to make it more prominent than the voices or sound effects.
D) transferring a sound from one channel to another in multichannel recording.
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True/False
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Multiple Choice
A) realistic and objective.
B) realistic and asynchronous.
C) nonrealistic and subjective.
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