A) concentrating on myths and legends from ancient Greece.
B) a return to the Classical era's ideals of harmony and form.
C) more realistic tendencies, using current middle- or lower-class characters.
D) the use of smaller orchestras.
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A) a play by Shakespeare.
B) a poem by Schopenhauer.
C) an original story by Richard Wagner.
D) Germanic or Norse legends.
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A) Wagner was a great conductor.
B) Wagner's career as a concert pianist enabled him to travel all over Europe.
C) Wagner was a great orchestrator.
D) Wagner wrote many books and articles about his ideas.
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A) Giuseppe Verdi
B) Vincenzo Bellini
C) Gaetano Donizetti
D) Giacomo Puccini
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A) By carrying the leitmotivs, it conveys the psychological depth of the characters and their feelings.
B) It merely provides accompaniment for the singers.
C) It repeats the leitmotivs in exactly the same way while the singers echo and transform them.
D) It remains restrained at all times, allowing the singers to be more emotionally expressive.
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A) Hans von BΓΌlow
B) Richard Wagner himself
C) Cosima Wagner
D) Arthur Schopenhauer
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A) Richard Wagner
B) Georges Bizet
C) Giacomo Puccini
D) Giuseppe Verdi
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A) might makes right.
B) love occurs only after death.
C) greed and hunger for power bring moral decline.
D) the end justifies the means.
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A) leitmotivs.
B) arias.
C) the concept of Gesamtkunstwerk.
D) expanding the size and role of the orchestra in opera.
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A) It faded from use by the twentieth century.
B) It became very popular in the operas of Rossini.
C) It was used only in Wagner's operas.
D) It was used in most operas.
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A) compelling and jaunty
B) macabre, then playful
C) gloomy, then happy
D) peaceful and content
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A) a soprano soloist, chorus, and orchestra.
B) two female soloists and orchestra.
C) two male soloists and orchestra.
D) two female soloists, two male soloists, and orchestra.
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A) Rhine Gold; Dichterliebe
B) Nibelung's Ring; Parsifal
C) Parsifal; The Nibelung's Ring
D) Rhine Gold; The Nibelung's Ring
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