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Exam 84: Thomas Nagel: The Absurd

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Question 1

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In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel observes that humans have the special capacity to step back and survey ourselves.

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Question 2

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In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -According to Nagel, when we recognize that what we do is arbitrary, we tend to

A) disengage from life.
B) lose our ability to see life.
C) continue being engaged in life.
D) live as animals do.

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Question 3

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In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -According to Nagel, the standard arguments for absurdity appear to

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel believes that we should approach our absurd lives with irony.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel argues that what makes life absurd is the clash between the seriousness with which we take our lives and the continual possibility of regarding our seriousness as arbitrary or dubious.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel thinks that even the life of a mouse is absurd.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel says that in ordinary life a situation is absurd when it includes a conspicuous discrepancy between pretension or aspiration and reality.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel asserts that one's life is actually absurd.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel says that the standard arguments for absurdity appear to fail.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel says that a role in some larger enterprise cannot confer significance unless that enterprise is itself significant.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel agrees with Camus's attitude toward the absurd.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel says that the absurdity of our situation derives from a collision between our expectations and the world.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -Nagel says that none of us actually takes life seriously.

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -According to Nagel, the sense of the absurd comes from the contrast between the seriousness with which we take our lives and

In this selection Nagel reflects on the sense of absurdity that most of us feel from time to time. The sense of absurdity arises, he says, from the "collision between the seriousness with which we take our lives and the perpetual possibility of regarding everything about which we are serious as arbitrary, or open to doubt." Nagel thinks that Camus's response to the absurd (defiance or scorn) is inappropriate; it's "romantic and slightly self-pitying." He prefers instead to approach the absurd with acceptance, with irony instead of heroism or despair. -According to Nagel, a role in some larger enterprise or plan