A) a visual illusion.
B) inattentional blindness.
C) retinal disparity.
D) attentional blindness
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Multiple Choice
A) individuals may fail to see fully visible objects.
B) expectations do not influence perceptions.
C) the same visual input can result in different perceptions.
D) there is a one-to-one correspondence between sensory input and perception.
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Essay
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View Answer
Multiple Choice
A) differing in brightness.
B) different colors.
C) differing in brightness and color.
D) different shades of the same color.
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Multiple Choice
A) perceived attractiveness.
B) likability.
C) sexual desirability.
D) dating appeal.
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True/False
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Multiple Choice
A) its sensory memory.
B) subject to sensory adaptation.
C) the absolute threshold.
D) the just noticeable difference (JND) .
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Multiple Choice
A) proximity.
B) similarity.
C) closure.
D) simplicity.
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Multiple Choice
A) this is the first offense for both her clients.
B) both her clients are good students who always score at the top of their class.
C) her clients are both active in a number of extra-curricular activities at their school.
D) other students involved in the incident did much more damage than her clients did.
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Multiple Choice
A) amplitude.
B) complexity.
C) wavelength.
D) purity.
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Multiple Choice
A) perceptual grouping
B) figure ground relationships
C) linear perspective
D) selective attention
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Multiple Choice
A) have poor vision in low illumination.
B) have no color vision.
C) have poor peripheral vision.
D) be able to detect extremely fine details.
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Multiple Choice
A) just below Giovanni's level for perceptual invariance.
B) producing action potentials that were too weak to reach the terminal buttons.
C) just at Giovanni's absolute threshold for light.
D) producing inhibitory synapses rather than excitatory synapses.
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Multiple Choice
A) opponent process theory.
B) trichromatic theory.
C) signal-detection theory.
D) feature-detection theory.
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True/False
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Multiple Choice
A) wave; vibrating molecules
B) particle; photons
C) chemical; molecular breakdowns
D) moving; vibrating photons
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True/False
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Multiple Choice
A) Medievalists
B) Realists
C) French Impressionists
D) Cubists
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Multiple Choice
A) additive color mixing.
B) subtractive color mixing.
C) hypercomplex feature detection.
D) opponent-processing of colors.
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Multiple Choice
A) convergence.
B) retinal disparity.
C) accommodation.
D) relative size.
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