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Multiple Choice
A) the camera obscura
B) the daguerreotype
C) negatives
D) lithographs
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A) to enliven paintings through the use scientific theories about color and optic function
B) to bring Classical structure to the Impressionists' approach to painting
C) to use color to generate a strong emotional response from the viewer
D) to produce an idiosyncratic style characterized by the use of small dots of color
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A) The image was blurred.
B) The image would fade over time.
C) The image could not easily be reproduced.
D) All of the above.
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A) Romantic
B) Pre-Raphaelite
C) Impressionist
D) Symbolist
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A) Courbet
B) Manet
C) Bonheur
D) Millet
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A) desire for his own wealth
B) socialist concerns for industrial workers
C) idea that art was only for the elite
D) religious beliefs
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A) Art Nouveau
B) Symbolist
C) Realist
D) Romantic
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A) promoting the work of women artists as equal to that of their male colleagues
B) the rise of independent exhibitions and gallery system to promote a diverse range of art
C) emphasizing the importance of art to represent the fleeting effects of light and color
D) unifying the avant-garde artists in France
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A) painting en plein air
B) grinding and mixing his own paint
C) working while in a boat
D) rendering changes in light and atmosphere
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A) Neoclassicism
B) juste-milieu
C) Impressionism
D) Orientalism
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A) Crystal Palace
B) Paris Opéra
C) Statue of Liberty
D) Eiffel Tower
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A) organizing museum exhibitions of their photographs
B) imitating the subjects and styles of painting
C) signing their names to the bottoms of prints
D) seeking patrons who would support their work
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Multiple Choice
A) The figure grouping is placed at eye-level.
B) The figures show emotional anguish and despair.
C) Rodin suggests their pain through physical discomfort.
D) All of the above
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A) Eakins
B) Homer
C) Whistler
D) Morris
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A) lithography
B) photography
C) painting
D) sketches
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Multiple Choice
A) non-western cultures
B) folk art
C) classical art
D) medieval art
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